Shvarts Black releases Babylon-inspired classical album

Shvarts Black has released Dreams of Belshazzar, a 15-track classical album built around ancient Babylon, biblical references and royal imagery. The project is the first in a planned series exploring human civilization through music.

Why it matters: - Dreams of Belshazzar turns ancient Babylon into a contemporary classical release, blending history, myth and spirituality into a single listening experience. - The album marks the first installment in a planned series that will explore human civilization through music. - The project broadens Shvarts Black’s catalog across classical, cinematic, piano, lyrical, ambient, experimental, jazz, ethnic and contemporary styles.

What happened: - Shvarts Black, a composer, poet and multidisciplinary artist, released Dreams of Belshazzar on June 23, 2026. - The album includes 15 tracks and draws from the stories, symbols and historic imagination of ancient Babylon. - The release combines instrumental and vocal compositions. - The album is available to download on Spotify. - More information is available here.

The details: - The track list includes “Enuma Elish,” “I Am Hammurabi, the Incomparable King,” “Royal Procession of Nebuchadnezzar,” “Hanging Gardens of Babylon,” “Cyrus the Great Enters Babylon” and “Feast of Belshazzar.” - Some compositions are based on historical events. - Other tracks focus on prophecy, grandeur, exile, ambition and decline. - Vocal selections reference ancient texts, cuneiform tablets and biblical accounts connected to Babylon. - The album is meant to make listeners feel as if they are entering a distant cultural landscape. - Shvarts Black says Babylon has shaped his inner world since childhood. - His early interest in the ancient world began after hearing the Epic of Gilgamesh read aloud by his father. - That fascination grew into an artistic focus on history, spirituality, memory and the emotional power of lost civilizations.

Between the lines: - The release frames Babylon as a living source of artistic reflection rather than only an archaeological subject. - Shvarts Black’s approach treats each project as its own symbolic and emotional environment, instead of a genre exercise. - The album continues his pattern of using mythology, poetry, philosophy and spiritual themes to shape musical work.

What's next: - Shvarts Black says Dreams of Belshazzar is the opening chapter in a larger series about civilization told through music. - The next releases in that series have not been announced. - The album positions Babylon as the starting point for a broader historical and artistic project.